Painting Painting

Origin

"Origin" is currently in the “All Things Holy” exhibition at Artel Gallery, Pensacola, FL.This piece grew out of my digital spiral studies from last October. I'm still working out the best way to photograph my work. Most of them consist of multiple layers of colored glazes, which don't seem to translate satisfactorily in to a digital format. I think an overcast, outdoor photo shoot might produce better results than studio lighting.

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Painting Painting

bōs—the sacrifice

"bōs—the sacrifice" is a piece that is currently in the "All Things Holy" exhibition at Artel Gallery, Pensacola, FL.To my delight, on opening night, in the eyes of the crowd, this little guy became the darling of "All Things Holy".

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Painting Painting

"I See"

"I See" is a piece that is currently in the "All Things Holy" exhibition at Artel Gallery, Pensacola, FL.I will post the remaining images in the coming weeks. Until then, a complete list of images can be found on the original announcement post and I will update links as they are posted.

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"All Things Holy" - An Art Exhibition, June 4 to July 12, 2013—(Updated)

Award ShowI'm thrilled to invite you all to my first art exhibit: All Things Holy.I was awarded the honor of a solo exhibition when I won Best of Show for "The Green Vase," in September, 2012, at Artel Gallery, Pensacola, FL. Most of the work to be on display has been created since that date.The show runs from June 4 to July 12 in the Award Alcove and coincides with Artel's main juried event: Time.Updated with bio and linked list of images.

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Painting Painting

Eggs & Onions

Work In ProgressI seem to be allergic to detail--I refuse to think I'm incompetent--when I hold a paintbrush. Give me a digital stylus or pen and ink and I happily enter the dexterous realm of illustration. But unless the canvas is large enough for rendering detail with a big fat brush my fingers fumble unforgivably. So as much as I'd love this image to be finished, it's still a WIP. Sigh.

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Painting Painting

Ghost

Groans emanate from my studio when foreign particulate--dust, cat hair(!), and such--gets in my brush or on my canvas. Depending on how visually fresh or immediate the stroke is dictates the tone of the groan. The higher the impact of retrieval--a greater likelihood of ruining something wonderful--the lower the pitch.

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